424 tascam manual

I just plug the line out on my bench and play a 3KHz tape I have here then look at both wow and flutter meter and frequency counter hooked together. Then adjustments can be made to the high side of 3KHz. The high side because the human era hears slower audio faster than it does faster audio.

I set machines at to Hz. The controls are commonly positioned near the area where the motor plugs in but you best know where the manual tells you to adjust it. Of course the speeds are adjusted with the Pitch pot at center position. I would make sure the capstan belt is in good shape as that can also be the problem or lack of oil in the capstan bearing. And what is the "high side" of the 3KHz tape?

And does correcting the machine to accurately display that sound correct the speed of the machine? Thanks again! Well you are missing the measuring devices either a wow and flutter meter which you set speed using the drift meter or a frequency counter. Trying to set speed by hearing music does not work for accuracy and so the deck will still be off.

High side means Hz or up to HZ and anywhere in that area. The low side of Hz is anything below that as in Hz and so on. Listening to music will end you in that area a lot of times. The service manual can be a Pdf even but I have not seen one for that model yet. The frequency counter with a MTT tape will allow you to set the high speed just use Hz but the wow and flutter meter will not know what to do with the Hz signal as they are made to detect Hz only and some have switches for Hz which is the DIN standard.

I think I get that part. So, the MTT is a type of tape that emits Hz? And I was thinking I could just play the Tascam into Logic on my computer and use the visual EQ to see if frequency being emitted is the same as the one labeled on the cassette.

Would that be a way of working around not having a frequency counter? Or is a frequency counter do something different? And how does wow and flutter work into all of this as well? Again, thank you for all of the info. It's been a huge help. The MTT has a 3KHz signal on it but if one plays it in a double speed porta studio the frequency will read Hz because it is going 2X the regular speed.

The wow and flutter tell you about the condition of the transport system and there are values to be met. The AMSoil I put in the capstan bearing allow the transport with a good motor and belt to work with great values. If a computer was to be used I would download the free software from the ANT site and just use that as it has wow and flutter in it too. Audio :: Welcome :: Library A. Audio was founded by Alex Nikitin, a company focusing on quality Hi-Fi equipment for enthusiasts.

Ok, so wow and flutter are the result of issues in the transport system. Got it. I just looked up what AMSoil is, and it makes sense you'd put that grease on it to run more smoothly. Unfortunately, I have a Mac. I think there are code switches that allow Macs to run Windows programs and visa versa. In conclusion, what I would need to fix this is: - service manual Also, for anyone reading through this, I found a Tascam mkI service manual:.

Tascam MkI mark one 1 service manual and schematics Tascamservice-manual-and-schematicsDownload. Last edited: Dec 9, Please disregard this post. I don't know how to delete. Thanks for the manual link as I went there and downloaded it for my collection which I read to help people on the computer with questions.

You are well on the way to getting it fixed up with this manual. It is very well scanned I must say- I left such a comment as well. Awesome thanks so much for all of the information! Glad I was able to help you out as well. That guy has a pretty awesome YouTube channel too:. GennLab Speed Cassettes. It has no level control, and is meant for adding the output of an external submixer to the 's mix.

Turning to outputs, the two effects send jacks are augmented by main stereo and monitor outs on phonos and four phono track outs, for routing a recording through a more sophisticated mixer. What the is missing are insert points and dedicated effects returns. The MkII's stereo input channels were perfect for returning effects. The recorder section operates at normal 1. The 's Dbx noise reduction can be bypassed on track four, to ensure that sync code is recorded reliably noise reduction being known to compromise sensitive signals such as sync code.

Code is recorded to tape via the right Sub In, and sent back to the synchroniser via track four's direct output. All four tracks can be recorded to simultaneously, useful for those working with musicians who want to play together. Signals are routed from the mixer to the recorder via a bank of Record Function switches above the 's informative fluorescent display. During bus recording, any audio panned left is routed to tracks 1 and 3, while any panned right goes to 2 and 4. Using this option, it would be easy to record a complete sequenced backing in stereo, patching sound sources through the 's mixer onto any two tape tracks.

Two locate points plus return to zero can be set, to help you get around a recording quickly though there's no instant rewind here! The MkIII version of the now has all its connections on the rear panel — sadly this includes, rather inconveniently, the footswitch input. It has no display and features a mechanical tape transport.

Apart from cosmetic changes, it has grown two XLR mic inputs its predecessor didn't have, and also has a new dedicated guitar input. Obviously, this doesn't offer as much control as the 's EQ. Like the , the MkII has two effects sends, which is quite generous for a budget machine effects would be returned via the two stereo channels , and again one doubles as a tape monitoring control.

The monitoring system is even simpler than the 's, though quite sufficient: all one really loses is the option to check a mix in mono.

The only connection remaining is the Sub In, which allows a submixer to be connected. The lacks t he 's direct tape track outs, so users don't have the option to send recorded audio out for mixing on a more sophisticated desk.

The tape section records at one speed only 3. There's apparently 10 percent varispeed on offer, though tests with both machines suggest that they actually provide the same amount of varispeed, which the 's manual says is 12 percent — whichever figure is correct, you get about three semitones of pitch change downwards and almost three upwards.

You can, of course, punch in and out manually or via footswitch. I recently saw Alessandro Cortini's interview on Sonicstate's Youtube channel and was so inspired by his set up that I had to create this video. It is divided into two major sections: a full-function mixer and an 4-channel, multitrack cassette recorder.

To complete the recording system, youll additionally need these: Input devices microphones, instruments , Output devices headphones , 2 track recorder, Effects processors, etc. If, for example, you remove only one of the tabs, you could accidentally insert the cassette into the MKIII backwards and erase all four tracks of the master.

Track Cassette Recorder. PortaStudio cassette player pdf manual download. Free shipping for many products! Its advanced feature set offers something for everyone. Using this manual :To get the most out of your MKII, please take the time to read through this manual. EUR ,. And a lip-reader with a telescope on the opposite bank. It came in handy sometimes at road-blocks. Curiously enough, it remained invisible to the ships below, up and walked out of the room.